Hiya friends!

Is there any point me saying 'long time no see'? I have realised by now that I am well and truly not a routine blogger. I could never keep a diary either and this is, I guess, along the same lines. BUT the upside of my irregularity is I only blog when I have a thought/idea so hopefully that means my blogs content make up for the lack of updates!

Anyways, I have missed writing on the blog for you guys (whoever you may be). I miss writing in general but I just can't seem to find the time. I've been writing occasionally - working on the musical, composing brilliantly artistic emails and the like. But I do miss blog writing and novel writing - once the year ends (as it will very soon) I'll get right back into it!!

So, onto the main topic of my blog. I'm not sure if you know but I've been staying with a friend from Showfit in the city during the week (apart from wednesdays when I head back to the land of Mornington to work). Recently, we discovered an amazing website in which you can watch documentaries FOR FREE online and they have EVERY documentary you can think of. So we've been spending our nights educating/entertaining ourselves with documentary after documentary.

Last nights film was called 'Multiple Personalities', and boy was it frightening.

It followed the stories of three adults who had multiple personality disorder. The first woman ended up having to be hospitalised because she was becoming a risk to herself, as several of her alternate personalities were self-destructive, and wanted to hurt her. The man was a police officer, who's alternate personalities (or alters) took over depending on different situations. The last woman was a mother of three, who's alters included a young child (who came out whenever her daughters wanted to play) and a teenage girl who stole credit cards and went on shopping sprees.

While fascinating, the show was deeply disturbing. All of these three adults had this disorder as a result of terrible abuse they experienced as children. Being young, they didn't have the capacity to cope with what they endured, and so their minds created personalities who could.

Am I the only one who finds this absolutely incredible? Their minds did this to help. This was the only way they could cope. And though it was done to help, it does so much harm. It is, mentally, a huge huge thing. It seems almost unbelievable, as often the person themselves have no memory of what the alters do, yet the alters themselves communicate within the person. They are aware, they take control and they consider the person they inhabit to be separate to themselves.

This is such a display of the power of the human mind. What's most bizarre is the power it has over the body, for instance one woman wore very thick glasses due to very poor eyesight. When she switched to an alter, she didn't need the glasses anymore as her eyesight had improved.

My friend and I were discussing the movie this morning in a state of 'I'm-still-really-freaked-out'. What scared us the most was that we consider our brains and our minds to be the same thing. Our thoughts come from our mind because we put them there. We control them. Furthermore, we control our brains involvement in our body. When we want to move our arm, we think it, and we move the muscles. What this disorder proves is how independent our mind/brain is - how it can function independently from our thoughts. Most people with multiple personality disorder don't remember the trauma that happened in their past. Instead, the alters bear the brunt of the painful memories. Often they want to find out what happened, as it will help them heal and move on. But their mind won't allow them. One woman was watching a video tape of herself in which her alter (a small child) was recounting memories of abuse. Whenever any detail was revealed in the video, the woman's mind would automatically shut out, her eyes would close, she'd pull away from the screen and, basically, her mind rejected the information despite her wanting to find out. This woman had an alter called Enigma, who's role it was to kill her if the abuse was ever remembered.

I could rant about the things that happened in this documentary for ages, but you'd be better to watch it. It's just so intriguing and so unsettling. It's terrifying to think your mind can turn on you like that. It's terrifying because it's a loss of control, and none of us like to lose control so utterly and completely like that. There are people who believe it's a hoax, some sort of act that these people put on for attention, but I can't understand why a grown man - a police officer and a seemingly good person - would pretend to be a 6 year old child, clutching a stuffed animal and absolutely breaking down as he relives traumatic moments in his past over and over again. People are complicated, more so then we could ever imagine. We only use %20 of our brain, as they say. And that %20, maybe even more, would do anything to make us safe, even if that means creating someone stronger then you to take control for a while.

I can't really wrap this post up as there is no conclusion I can come to other then WOW we are crazy. But that's how I finish most of my blog posts, isn't it?!

Ah well. Maybe one day I'll accept how crazy we are. I'll let you know if I do.

Until next time!

I am not a very angry person, by nature. Not many things make me really angry. Occasionally though, I stumble across something that I disagree with SO MUCH that it makes me furious. One of these things is to do with something I love and have grown up with and cherish - disney films. One day, I was watching some old disney clips on youtube when I stumbled across a video with someone talking about how racist, sexist and generally discriminatory disney films are.

Needless to say I wasn't happy. At the time, I was trying to find a topic for my English year 12 Oral speech, and this made me so angry that I figured it was the perfect topic for a nice long rant. So I did my research, and argued that disney films are NOT sexist, and NOT racist in the way that a lot of people want to believe they are.

This is the speech I wrote:

I would rather entertain and hope that people learnt something, than educate people and hope that they were entertained.

These words were said by Walt Disney himself, the maker of dreams, the creator of countless classic films that have gone down in history. He has made fairytale characters ageless; Snow White, Cinderella, Sleeping Beauty – household names nowadays in most families. So much creation, so much inspiration - and yet Disney is flailing under recent, and in my opinion, baseless criticism. Disney programs have become the target for unfair judgement. The Internet is littered with opinionated videos claiming that Disney is sexist and racist. They state that Disney’s animated films promote an unrealistic set of moral values that are corrupting the young minds of today with, and I quote, “subliminal messages”.

According to these anti-Disney activists, each Disney character is riddled with these “subliminal messages” designed to mould the minds of young boys and girls. We should really break down these messages into specific areas. Firstly, the portrayal of men and women within Disney films.

Like most girls, I grew up with the Disney princesses dancing across my T.V screen while I watched in awe and admiration. The princesses represented everything good in my eyes; kindness, generosity of spirit, and optimism. My sisters were the same, as were my friends. And yet, despite our childlike admiration of the princess’s good qualities, some people find it necessary to destroy the fragile innocence that children only just maintain by seeing bad where there is none.

As long as Disney films have been created, there has been argument over their portrayal of gender. No matter what era, some over sensitive parent finds fault in a certain look or word that a character may say in a potentially offending tone. Unfortunately, not everyone in the world can be universally pleased and, by now, Disney well and truly understands this. And so, the Disney we see today is a careful company. It markets to its audience intelligently, using their films as a representation of modern times and this is the key point to my argument. Disney films reflect the time they were made in. Snow White was not a rebel, nor a strong, feminist woman because the traits that were admired in women of that time were gentleness and reliance on men. Now, in a time where individualism and emotional strength are the admirable qualities, we see far more feminist-like characters. Take Mulan, Pocahontas, and Meg from Hercules. These are women who promote bravery and determination. Yes, Snow White is a subservient character, yes, she relies on men, but we can’t deny that once, this was the ideal woman.

When it comes to men in Disney films, the arguments are not dissimilar. The public say that not all men can be strong and handsome, that Disney promotes an unrealistic standard in their heroes. What the public so easily forgets is what the Disney films are; cartoon animations. As Walt Disney says himself, “All cartoon characters and fables must be an exaggeration, caricatures. It is the very nature of fantasy and fable.” There is no greater representation of this cartoon creed than in the Disney films. The characters, especially the men, must exaggerate their qualities in order to communicate whether they are good or bad. For a child to understand easier, their qualities take outward manifestations. A person with inner beauty (the protagonists of the story, most commonly) will show this with their appearance. Blackness of heart will also show through appearance, meaning that the evil characters are most commonly not referred to as beautiful. In short, Disney does not create heroes as powerful men and subservient women like some people claim they do, but rather they use the surface of the character to show a deeper motivation.

The topic that raises the most controversy in regards to Disney is racism. The public has made it increasingly difficult for Disney to use different races in their films due to the uproar it normally causes and yet still, they demand racial equality. Disney has no way around it.

Take for instance, a film that I would never, never, have thought could be targeted for racial slander. The Little Mermaid was one of my favourites, and everyone knows the crab Sebastian who sings the famous song, ‘Under the Sea’. Much to my horror, this character was listed as one of the top ten most racist characters in Disney films. The writer declared that Sebastian’s lyrics, suggest that Jamaican people are lazy.

What does this say about people today? It seems like the only characters that do not spark outrage are those with American accents and white skin. Is this a reflection of Disney films, or a reflection on our own racial views?

Disney tries. It is obvious that they try but they are constantly stopped in their tracks by protestors. Their first film in which the heroes were not American, Aladdin, was instantly met with angry Muslims and Arabs. The monkeys from Jungle Book also caused arguments, along with the crows in Dumbo due to the fact that they had African-American voices. It seems that, with our canny knack for finding fault where there is none, the human race is never happy with anything.

I have watched Disney my whole life, and I am neither racist nor sexist. I am not disillusioned. I do not expect a fairy godmother to help me out of my troubles, nor do I place a stigma on any step-mothers I may know. I am my own person and while I love Disney, I do not base my whole life education on their films. These people who complain that Disney is “secretly trying to brain wash us”, are forgetting key points about life itself. They are first of all forgetting that Disney films are for entertainment. They are films, not social commentaries or political documentaries. Second of all, and most importantly, they are underestimating the intelligence of our children, who are not so suggestible, despite some claims, to see an evil character who may be Chinese and believe that all Chinese are evil. They do not see what we see. It wasn’t that long ago that I was a child myself and I still remember. Children are so willing to be innocent - to cheer for the good guy and laugh and be entertained. If the adults of today are so intent on seeing the bad in a company that creates immortal films that made me feel happy every time I watched them, then we better say goodbye to our children’s innocence now because sadly, Disney, there’s not much hope.

Beautiful

Stunning dance animation - wow some people are amazing!

http://danceproof.posterous.com/sometimes-dancers-are-just-sketches-in-the-wi

Just Me.

Acting is a dangerous game. Performing in general is a dangerous game. It is easy to see why so many performers have break-downs/are incredibly egotistical and self-important.

Because ALL WE DO IS THINK ABOUT OURSELVES.

Especially when we're learning, as I am now. Every day, from morning to night, all I am thinking about is myself - am I working hard enough? Am I doing this right? Should I sing this for mock audition? Is this challenging me enough? Am I improving?

Is it incredibly difficult to not be self-focused, because in every class we are being encouraged to let our thoughts revolve around ourselves because, really let's face it, it's the only way to improve. If you don't pay attention to yourself and your abilities how will you know where you are and what you need?

On one hand, I understand that this is a brilliant and necessary thing because it makes performers so self-assured. Some of the teachers we have are just so incredibly sure. They seem to know themselves back-to-front and exude such an amazing energy of being totally at ease. And you need that as a performer because you have to face endless rejection. You have to be aware of where you are to the point that if someone says they don't want you, you can still have faith in what you have to offer. Anyone who hasn't spent enough time in their own head will soon collapse under the pressure of rejection.

On the other hand, it can make many people selfish with too much self-importance then is good for them. It's a dangerous game. Unavoidable of course. I suppose it's all in how you let the game play you. If you let yourself become too entangled with yourself you'll have no hope. If you can be impartial about yourself, if you can understand yourself and improve yourself without losing sight of others then you're on a good path.

The people around us probably suffer a fair amount. I love my family so much, but often times when I am at home I just want to be by myself because the effort of social interaction seems to make me even more aware of me. And if I'm on my own it feels more as if I'm not so present. I can tune out, watch a movie, listen to music, read, and not need that constant focus.

At the moment, I just want to get out of my own head. As a serial over-analyser I feel as if I'm really having constant arguments with myself, because I can see both sides, agree with both sides, understand both sides but can't for the life of me pick a side to be on.

Do I sound a tad crazy right about now?

Probably.

But what is this blog for if not to vent. Hopefully other performing-students can understand what I'm getting at.

But as much as I am struggling with the self-regulation of performance, I am feeling an odd thing for people who aren't experiencing it. I guess you could call it pity. Because I can't imagine a life in which you don't try to understand your own thoughts (and yes, you do need to practice understanding them because really, how complicated are we? How hard are we to decipher even in ourselves?). A life in which you don't try to be better, don't try to learn more and become more at peace. It creates beautiful people, it really does. Yes, as I've said, people can become very egocentric, but the flip side of that is the community of generous, loving, open, funny and just incredibly unique people that pursue performance. They are a special breed of people, they really are.

So, if this blog post doesn't prove my state of mind I don't know what will. I hate it, I love it, I admire it, I don't understand it. Whatever it is. I love what I'm doing, and hopefully what I will do, but it doesn't come easy, that's for sure.

But it's worth the struggle.

Theatre People

Hello readers!

As you may or may not know, I am currently the assistant editor of the amateur musical theatre department of a very popular website called theatrepeople.com.au. It is a cornucopia of all australian musical theatre facts, news and stories.

As of yesterday, I am looking for new writers to join my department. I need people who are passionate about theatre and writing, who are looking to volunteer their time to a fantastic resource for performers all over the country. It is an amazing opportunity, especially considering that the website is just newly national.

If you are interested, please contact me at editor.emily@theatrepeople.com.au. I'm taking submissions till the end of the week so don't miss this chance!

p.s. As a side note my little sister is astounding people with her talent, and she posted a video on youtube for the first time. This proud older sister asks that you check it out!

http://www.youtube.com/watch?v=XGd_6Pml5BE

Interesting Words

Words with no true English definition:

Toska
Russian – Vladmir Nabokov describes it best: “No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.”

Mamihlapinatapei
Yagan (indigenous language of Tierra del Fuego) – “the wordless, yet meaningful look shared by two people who both desire to initiate something but are both reluctant to start”

Jayus

Indonesian – “A joke so poorly told and so unfunny that one cannot help but laugh”

Iktsuarpok
Inuit – “To go outside to check if anyone is coming.”

Litost
Czech – Milan Kundera, author of The Unbearable Lightness of Being, remarked that “As for the meaning of this word, I have looked in vain in other languages for an equivalent, though I find it difficult to imagine how anyone can understand the human soul without it.” The closest definition is a state of agony and torment created by the sudden sight of one’s own misery.

Kyoikumama
Japanese – “A mother who relentlessly pushes her children toward academic achievement”

Tartle
Scottish – The act of hestitating while introducing someone because you’ve forgotten their name.

Ilunga
Tshiluba (Southwest Congo) – A word famous for its untranslatability, most professional translators pinpoint it as the stature of a person “who is ready to forgive and forget any first abuse, tolerate it the second time, but never forgive nor tolerate on the third offense.”

Prozvonit
Czech – This word means to call a mobile phone and let it ring once so that the other person will call back, saving the first caller money. In Spanish, the phrase for this is “Dar un toque,” or, “To give a touch.”

Cafuné
Brazilian Portuguese – “The act of tenderly running one’s fingers through someone’s hair.”

Schadenfreude
German – Quite famous for its meaning that somehow other languages neglected to recognize, this refers to the feeling of pleasure derived by seeing another’s misfortune. I guess “America’s Funniest Moments of Schadenfreude” just didn’t have the same ring to it.

Torschlusspanik
German – Translated literally, this word means “gate-closing panic,” but its contextual meaning refers to “the fear of diminishing opportunities as one ages.” (Altalang.com)

Wabi-Sabi
Japanese – Much has been written on this Japanese concept, but in a sentence, one might be able to understand it as “a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay.” (Altalang.com)

Dépaysement
French – The feeling that comes from not being in one’s home country.

Tingo
Pascuense (Easter Island) – Hopefully this isn’t a word you’d need often: “the act of taking objects one desires from the house of a friend by gradually borrowing all of them.”

Hyggelig
Danish – Its “literal” translation into English gives connotations of a warm, friendly, cozy demeanor, but it’s unlikely that these words truly capture the essence of a hyggelig; it’s likely something that must be experienced to be known. I think of good friends, cold beer, and a warm fire.

L’appel du vide
French – “The call of the void” is this French expression’s literal translation, but more significantly it’s used to describe the instinctive urge to jump from high places.

Ya’aburnee
Arabic – Both morbid and beautiful at once, this incantatory word means “You bury me,” a declaration of one’s hope that they’ll die before another person because of how difficult it would be to live without them.

Duende
Spanish – While originally used to describe a mythical, spritelike entity that possesses humans and creates the feeling of awe of one’s surroundings in nature, its meaning has transitioned into referring to “the mysterious power that a work of art has to deeply move a person.” There’s actually a nightclub in the town of La Linea de la Concepcion, where I teach, named after this word.

Saudade
Portuguese – One of the most beautiful of all words, translatable or not, this word “refers to the feeling of longing for something or someone that you love and which is lost.” Fado music, a type of mournful singing, relates to saudade.

10 Reasons Why I Love Performers

1. Everyone is always ready and willing to burst into song, with harmonies, and potentially a fully choreographed dance number to top it all off.

2. Performers have very little need for personal space. This means constant cuddles, hugs, massages, ass-slaps and much much more. When performers are comfortable with each other, they are REALLY comfortable with each other.

3. What looks insane to non-performers is an absolute hoot for us. Example 1: 23 students dancing the tango with chairs as our partners. To us = most fun ever in a drama class. To others = clincically insane people with bizarre attatchments to inanimate objects in need of serious help.

4. Performers make the best audience. If you have performer friends coming to see you in a show, you can be guaranteed cat-calls, cheers, very loud laughter, very dramatic tears and perhaps a standing ovation if you're lucky.

5. Everyone's allowed their quirks amoung performers. Seeing as we're all pretty damn quirky, you would be quite hypocritical to not tolerate someone elses quirks. So we all pool our quirks together to make super-group-crazy-quirky-funness. If that makes sense.

6. We're all fairly dramatic - this may seem like a downside in many ways, but in many other ways it's brilliant, because you know what? It means we're not afraid to show our feelings. Something excites us, we will scream, jump around, and carry on. Something bad happens and we let it all out.

7. We trust each other. This could just be a performers-that-you-have-worked-closely-with kind of thing but it's absolutely amazing when you wholeheartedly trust the people you are performing with. When you practically work as one because you know each other so well, and support each other's choices.

8. I can shout out random musical theatre news and generally someone will react.

9. We're linked by the fact that we all suffer the same pitfalls, emotional walls and insane highs. There's no way any true performer can avoid these, and so in experiencing them we are all connected in that way,

10. Performers are just a hell of a lot of fun. A night out with performers is one that will be filled with unexpected, spontaneous and often hilarious things. I never forget a night with my performing friends.