Saturday, April 23, 2011

Magic

When I was young, I was obsessed with magic, completely and utterly. I read Harry Potter and believed every word of it (yes, I waited for my acceptance letter to Hogwarts), I watched movies like Matilda and absorbed the whole idea of special powers, and I made fairy houses in my backyard. I believed that dust was made from fairies who had died because people didn't believe in them, and I dreamt of finding magic wands.
Magic was a huge and very real thing to me. I never wanted to give up any belief in magic, and I still don't want to give it up despite being nearly out of my teenage years (gosh!). And while I don't wait for fairies to come to my door anymore, or expect, one day, to close the door with my mind, I realise I haven't actually given up magic, and that's because of two things: 1. My writing. and 2. Theatre.

When it comes to my writing, I can create everything and anything I've ever believed in. I can have a world that lives and breathes magic and in a way I can live through that. And the power of that magic is that maybe one day, other children will learn to believe in magic through that. The ability to create something completely new and completely from your own imagination is magic in itself. It's a thrilling experience and it's one that I feel lucky to be able to live.

But this week my focus has really been on theatre. And boy what a week it's been! Not only did we (meaning Schming and I) get a chance to work on our show with some incredibly talented people, but we were given the opportunity to show it and get some truly constructive feedback. We learnt so much about the show, about where it can go and what it needs. But I also learnt a lot about the magic of theatre, especially in musicals. The fact that our most well received moments are the one's that are less naturalistic goes to show that everyone loves a bit of magic, in the sense that they want something that isn't completely real. In a musical, you can go quite wild with that and the audience will follow along completely, because they want to be entranced by the magic on stage. Take The Lion King for example. The audience can see the people behind the puppets, they know they're not real animals, but still it completely takes their breath away to see an elephant walking down the aisle. You don't need to tell them it's not a real elephant, of course they know that. But being swept up in the moment and magic of the theatre gives everyone an incredible ability - the ability to imagine. The audience fills in the blanks, they make these creatures seem real, more so than the puppeteers do. And I think that's amazing.
Similarly, there is a play on Broadway at the moment called the War Horse. They use puppets as well for the horses and it's the same story. It's not realistic in the sense that they look like puppets, and you can see the people within the puppets, but the audience simply doesn't care. They make it a real horse.

Now I think that's magic, don't you?

Friday, April 15, 2011

Questions


Once there was a woman who had two shoes and one of them she laid in the river. The shoe nestled between the river grasses and slowly over the days the woman sang to the shoe so that she might have a husband. The shoe grew first a baby and then a boy and then a young man until at last the woman came to the river and found a fully grown man sitting on the river's edge.
"If you bring me the shoe to match this one," she said to the man, showing him the shoe that was the pair of the one she had placed in the river, "you shall marry the spirit of the river and you and your children will have eternal life."
The man said, "And where might I find this shoe?"
"It is in the last place you will look."
The man looked up and saw the moon, who was going to bed late that day.
"I could ask the moon, but as that is the first place I have looked I am bound to be unsuccessful, so instead I shall ask the sun," he said.
The sun was not happy to be troubled by a man but she said she had seen a shoe just like that on the banks of a great river which flowed down from this very river and was no more then a few days's walk. The man was well pleased and set off downstream. But the way was hard and the pathway treacherous beside the wild river. As the man walked his skin grew fur and soon he had transformed into a wolf. The sun passed him by and laughed at his travels.
"You will never find eternal life as a wolf," she said.
The man now spoke to the moon, who was that night full on the horizon and so close enough to talk with.
"The sun has tricked me. Where might I find the show I am seeking?"
I have seen one just like it in the depths of this river, but you must swim deep to find it."
In the light of the moon the wolf swam in the river but no shoe could he find. He was washed downstream in the water's flood and as he journeyed his fur was washed away and he was clothed instead in the shimmering scales of a fish. At last he was swept into the ocean and washed to the show and his fish form slipped from him as he lay on the cold sand. There on the beach a white bird spoke to him. "If you climb that tree over t
here you will find the shoe you seek," she said. "But remember it is in the last place you will look."
And so the man began climbing the tree. When he was only a small way up his hands grew sharp, and soon his arms and legs were black and shiny, and he was transformed into a small beetle. The wind blew at him and rain fell and many times did he cling to the tree for life. At last, at the top of the tree, he found the bird who had laughed at him. She fluttered her wings in the breeze.
"Fly to that mountain over there and look into the waters of the blue lake and you will see the shoe, and there you may choose the gift of eternal life, if you so wish it."
The man was transformed into the shape of a great raven and flew high into the sky and far across the land to the last peak, where the bright light of ice glo
wed white in the sky. Though it took all his endurance to fly so far, at last he gazed into the lake. But, instead of his own reflection, he saw only the sky.
"I am nothing," he said, dismayed. "The lake does not even note my presence. I began as a man and I have journeyed the pathways of beast, fish, insect and bird, but now I am nothing."
"What form would you seek?" said the woman from the river
, appearing beside him at the water's edge.
"My own true form," said the man.
And so the man became the shoe he had grown from in the river.
"You see," said the woman, "you are what you were seeking."

I came across this story in a book called 'The River Wife' by Heather Rose. The whole book is very fable-like, such as this story, and tells the tale of a wom
an who is part of the spirit of a river, and has to keep it in order. She is a human by day, and a fish by night, and dies if she is too far from her river, or too far from water. She falls into love with a human man, despite her promises to her father (another human) to never go near them.

I love stories like these. Yes, they're very stylistic. Yes they can be slightly predictable in their formulation (generally character + question + three tests/experiences = meaning-of-life-style-moral) but they always mean something. Always. It's never just a story for the sake of being a story.

Now this one in particular, I have cropped slightly. There is a tiny bit more to the story (he comes back to life, marries the river woman and they live eternal life with shape-shifting babies) but I like it when it finished right here, because something stands out to me about one of the points of the story. And that is, boy, we think too much sometimes.
I think what the majority of the story is trying to get across is how much we pointlessly question things. It's always how, what, how, what, how, who, when, what, where, what with human beings. We always want to know more, know everything. And in some ways that's a brilliant thing. But in other ways it's entirely meaningless. Lik
e in this story. The man was desperate to know who he really was, wasn't he? By the end of his journey he had lost all sense of purpose, and he wanted to regain it. And the enlightened answer to his plea? You're a shoe.

And we're people. Maybe we're in the exact same situation. We ask the 'Who am I?' questions all the time. And I have to say I don't quite understand them. The whole 'I need to go find who I am' soul-searching thing. Perhaps we should take a leaf out of thi
s book and simplify it, because in all honesty, if I asked 'Who am I, God?!' I was probably get - "You're Emily, stupid."
Maybe God wouldn't say that.
Either way, it's a simple answer. And while I am cautiously spiritually optimistic, I cannot possibly believe that through years of soul-searching and questioning my existence I would find a different answer from 'You're Emily' because basically that is all I am. I am a human, yes, I am a girl, yes, I am Emily. What else is there? If we're asking what we're here for that's a different question entirely, and one I think is answered simply by 'to live'.
So who am I and why am I here? 'I am Emily and I am here to live.' and isn't that a terrific and simple life motto? You don't need anything else!
This is what I think the story is saying in it's round-a-bout way. It's saying, while you can look for who you are as much as you want - to the point where who you are is completely lost in your turning it upside down and inside out to examine it - it's a simple, straightforward, you-are-you answer, and the simplicity and straight-forwardness of this is the exact thing we need.

Anything else and we all seem to get far too confused.
So there you go. That's my personal take on this fable. I bet you read something different into it. Share in comments if you want or keep it to yourself. And t
here's no saying I'm right either, but my answer works for me, and you know what? That's all I want.



Saturday, March 26, 2011

Sorry...

So let's all give me a hearty boo for my level of commitment to this blog...
Apologies! I know, crappy, crappy, crappy. I've been super busy though, to make excuses! With showfit, work, cleaning my room, seeing shows, and so on and so forth I just haven't had the time to blog. But I promise I will make up for it now! Get ready for a super blog!

So back to the 30 day song challenge. I believe I was up to...

Day 3: A song that makes you happy.

Send Me on My Way - Rusted Root

Most of you will know this song from the movie, Matilda. I don't know whether it's because I love that movie so much, or because the song itself it great, it just always puts a smile on my face without fail. There's just something so positive and upbeat about it. It's not a song that you really dance to, or sing along well mostly because you can't understand a word the singer is singing. However, it's the kind of song you picture very happy movie montages (such as Matilda) happening to, where everything is going beautifully and happily and there's too much joy to possible be legal.
Just a beautiful song.

Day 4: A song that makes you sad.

The Letter - Billy Elliot

Even just singing this song in my head makes me teary. It is a song of a letter that Billy's mum wrote him for when he was 18. She knew she was going to die, so this is half a goodbye letter and half a way for her to remind him, when he is older, that she still loves him and watches over him. It is a duet with some beautiful harmonies, but it's not necessarily the music that makes me sad, just the lyrics.

And I will have missed you growing,
And I'll have missed you crying
And I'll have missed you laugh.
Missed your stomping and your shouting,
I'll have missed telling you off,
But please Billy,
Know that I was always there.
I was with you through everything.

Day 5: A song that reminds you of someone.

I think I have lots of answers for this one. Songs that I've performed with people always remind me of them, like when I think of 'How Does She Know' from Enchanted I think of Manford (Haven't used your codename in a while!!) because we were partners in that dance at YABC. Whenever I hear 'Tribute' by Jack Black I think of Monkey because that's our song that we like to rock out to randomly. Music is a huge part of my life, and the songs I sing and perform with people, or just the songs I listen to with them, really connect me to them.

Day 6: A song that reminds you of somewhere.

Hmmm... This one's a bit tougher. It's hard to think of these off the top of your head without your memory actually being triggered from the song. I cannot think of one!! If one comes into my head I'll post it later on but for now I've got nothing. Sorry!

Day 7: A song that reminds you of a certain event.

I wouldn't say this is an event per se, but I always think of it when I hear this song. 'Lovely Day' - it starts off, "When I wake up in the morning light, and the sunlight hurts my eyes."
It takes me straight back to primary school when I was becoming friends with my now best friends. Screws and I were on her trampoline after school making up dance routines that really involved no dancing, just bouncing, running and singing loudly. We did a little routine to this song and when the lyrics said "Lovely day, lovely day, lovely day, LOVEly day, lovely day, lovely day, ahhhh..." We ran around the trampoline in a circle throwing our arms up and down and collapsing when we sung 'ahhh'. We thought it was the most hilarious thing ever. Our parents, who were forced to watch, probably thought the opposite but oh well. We had a heck of a time!

Day 8: A song that you know all the words to.

Well, not to blow my own horn but... I kind of know a lot of lyrics... *tosses hair* It's no biggie.
I love learning lyrics and knowing songs so I tend to learn quite a lot. But most notably, I suppose my thorough knowledge of every single song on the Jesus Christ Superstar album is my crowning glory. I know the lyrics to ever single song. I can sing the whole album from start to finish basically. Can you tell I love it?


SO I think that's enough for now! I've sufficiently caught up! Time to make some homemade pizzas - YAY!

Monday, March 21, 2011

30 Day Song Challenge - Day #2

My Least Favourite Song

I am a big BIG disney fan. So when someone destroys a beautiful disney classic, boy do I get angry. And when I get angry... I rant on my blog - SO WATCH OUT!

Ashley Tisdale.
Kiss The Girl.
The Little Mermaid.

These three phrases should NEVER be used in a sentance, but unfortunantly and much to my horror, they are. Ashley Tisdale has outraged me with her pop-ified version of the Little Mermaid classic, Kiss the Girl. Far from the style of the Jamaican crab who should be singing this son, Ashley Tisdale sings the song like a pop princess which, in it's own genre is just fine, but when she is taking an old loved disney hummable tune sung by animated animals and sings, "Go on and kiss the guuuuuuurlah!" I just want to form an army of true disney fans to march to her house with pitchforks and flaming torches and say, "NO. Ashley Tisdale. NO."

Lets pray to god no one ever desecrates the magic that is disney ever again.

Sunday, March 20, 2011

30 Day Song Challenge!


Yay for music! To show how much I can't live without music, I thought I'd do this 30 day song challenge and share some of the songs I love/hate. So here you go!


Day 1: Your favourite song.


Okay, please forgive my first answer being a no-answer, but I actually can't pin point a single song as being my favourite. My favourite changes pretty much every day, and I can't possibly list all the favourite songs I have ever had. Also, the thing about loving musicals is that I listen to the whole album, and generally go through a favourite musical stage more then a favourite song stage.

I can tell you the song that I have had stuck in my head so I at least name SOMETHING and that's 'Legally Blonde' from the musical Legally Blonde. It is such a beautiful song, but not only that, it is so heartfelt and sad, and when Emmette (is that how you spell his name?) joins in it gets even sadder. Do yourself a favour and listen to the Legally Blonde soundtrack if you haven't already. It sounds like it would be a terrible movie-musical conversion but it is actually fantastic, and you simply can't get enough of the music!

Friday, March 11, 2011

Blog Pushing

Hi all!!

I'm advertising a new blog today, written by my wonderful sister.
Not only does she write well, but her blog is far more practical then mine because she gives yummy recipes for you all to steal! So those of you that like cooking/baking, head on over to her blog and have a squiz:

http://ramblingsonaplate.com/

Enjoy!

Sunday, March 6, 2011

Devil vs. Angel

We all know that famous image of an angel on one shoulder and a devil on the other, whispering things to you and contradicting each other until you're left relatively insane. While I am not yet insane, and I don't have visible angels/devils lurking around my body, I finally understand how this saying came about.

Doing my new musical theatre course, we are expected to do a certain amount of failing in order to learn and develop. We also need to get out of our comfort zone constantly and push ourselves to the limit. As much as I've wanted to do this, I have had trouble with my voice and have had to rest as much as possible, so I haven't been able to really put myself out there. I am now on the mend and have my first fortnightly 'Mock Audition' - this week is for Drowsy Chaperone. I'm singing a song I am fairly comfortable with, it is a genre I am fairly comfortable with. What I am not entirely comfortable with is the idea of varying my normal audition performance (stand, sing, emote and that's it). I am not used to putting on more of a show for an audition and this is what I am going to do. The past few day though, I have caught myself thinking, "Oh, forget about that. Just sing how you usually sing."

Normally, I think I would listen to myself. But I've been so constantly reminded to put myself out there and make risks and fail that I heard this thought kind of objectively and said, "No! Emily, take the risk. if you fall on your ass, so be it."
There you go. Devil and Angel. One telling me to be safe and stay in my comfort zone, the other telling me to go for it.
In a way it is natural to want to stay safe. It's part of human nature isn't it? Life preservation. Defense. But the strange thing about performing is that you have to break down those walls of basic animalism. Why do people get nervous or afraid if they have to perform? Because basic instinct is telling them not to. It's saying 'This is different and scary and maybe you should sit in the corner and wait until everyone forgets about you."

On our first day at Showfit we had to do an exercise that involved doing something totally against human instinctual nature - run across a room with our eyes closed. Our bodies were saying "STOP FOR CHRIST'S SAKE!!!" and a lot of people did stop. But the point was we meet that same brick wall when performing. The exercise told us that we have to take out our trusty sledgehammer and knock down that wall.

So while my fear, insecurities and basic human nature is telling me to stay safe, and not put myself in a situation where I could look stupid or fail, I am learning to ignore that... to an extent. I'm not actually going to go running down the street with my eyes closed exclaiming 'Look at my utter commitment and focus everybody!'
That's not artistically relevant, it's just sheer stupidity.

But I AM going to go for it, and take risks and let myself fall over because you can't learn to get back up unless you get on the ground first.